"Colin's use of a 'triple exposure'—three virtual snapshots of an elegant couple making their way around a packed dance floor, layered one on top of another and drawn from three different points of view—creates a wonderful, sweeping sense of stop-motion sequencing to promote a 1927 springtime 'floral ball' held to benefit French orphans." (Crouse/Deco, p. 156)
Imp. H. Chachoin, Paris
literature: Colin Affichiste, 117; PAI-LXXV, 291