colored pencil, graphite, watercolor sight: 12½ h × 9¾ w in (32 × 25 cm)
According to Adriani, this lithograph "was a reference to a society scandal that dominated the gossip columns in Paris at that time. The heiress to a great fortune, Clara Ward of Detroit, had married Prince Caraman-Chimay, but after only six years of marriage, 'the most heavily painted, artificially beautiful of all American ladies let herself be seduced by a pockmarked person, who was a master of that art.' The magazine Gil Blas of 9 January 1897 meant by this the gypsy Rigo, whom the American heiress married in 1904, and with whom we see her here in her box" (Adriani, p. 271). This lithograph was printed in color and published in an edition of 16 impressions, signed, numbered, and stamped by Gustave Pellet in April, 1897. All referenced sources indicate several trial proofs, but this one has extensive hand-coloring by the artist in red, green, yellow, and also touches of red chalk. As indicated in the Sotheby's London catalogue of October 6, 1966 (#95), there had been tears in this version, indicating that Lautrec was not pleased with it. This rare proof was rescued and placed in the famed Charell Collection.
Artist's insignia to upper left.
provenance: Collection of Ludwig Charell
literature: Delteil, 206; Adriani, 204; Wittrock, 179
This work will ship from Lambertville, New Jersey.